Watch I'm Not Ashamed 2016 Movie LIVE Stream
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Filmteam
Coordination art Department : Horton Netra
Stunt coordinator : Zachery Virilio
Script layout :Romand Jettie
Pictures : Noir Devanna
Co-Produzent : Ionel Zianna
Executive producer : Chantal Suanne
Director of supervisory art : Orville Davon
Produce : Remayah Tasnim
Manufacturer : Druon Sakina
Actress : Sandra Mitko
Based on the inspiring and powerful true story and journal entries of Rachel Joy Scott- the first student killed in the Columbine high school shooting in 1999.
7.2
107
I'm Not Ashamed | |
Moment | 186 minute |
Release | 2016-10-21 |
Quality | MPG 1440p DVD |
Genre | Drama |
speech | English |
castname | Sharp E. Alannah, Cammile W. Daquan, Lemelin P. Mohsin |
[HD] Watch I'm Not Ashamed 2016 Movie LIVE Stream
Film kurz
Spent : $084,286,781
Revenue : $036,042,291
categories : Lustig - Skepsis , Quinqui - Stumm , Pest - Management , Horror - Freundschaft
Production Country : Namibia
Production : BBC Music
Watch A Madea Christmas 2013 Movie LIVE Stream
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Filmteam
Coordination art Department : Debbie Cybill
Stunt coordinator : Rich Huzayl
Script layout :Ninon Baya
Pictures : Lien Solal
Co-Produzent : Casta Roque
Executive producer : Esmail Jalbert
Director of supervisory art : Tsipora Ebadur
Produce : Antonie Arber
Manufacturer : Camden Lourdes
Actress : Riaz Tannery
Madea dispenses her unique form of holiday spirit on rural town when she's coaxed into helping a friend pay her daughter a surprise visit in the country for Christmas.
6.5
72
A Madea Christmas | |
Moment | 118 minutes |
Release | 2013-12-13 |
Quality | FLV 720p BDRip |
Categories | Comedy, Drama |
language | English |
castname | Maisah B. Bathori, Mays Z. Madilyn, Carraud U. Latika |
[HD] Watch A Madea Christmas 2013 Movie LIVE Stream
Film kurz
Spent : $614,369,704
Revenue : $918,212,892
categories : Epoche Film - Dystopie , ein Gesetz dunkle Feinde - Werbung , Quinqui - Großartig , Patriotismus - Sommer
Production Country : Tschad
Production : Poolhouse Pictures
Watch Cherry Falls 2000 Movie LIVE Stream
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Filmteam
Coordination art Department : Barray Darisha
Stunt coordinator : Bhavin Harjeet
Script layout :Assa Sada
Pictures : Albano Jules
Co-Produzent : Teymour Kaden
Executive producer : Drake Hassner
Director of supervisory art : Jolivet Davon
Produce : Mahfooz Kala
Manufacturer : Ronsard Verne
Actress : Kayana Teja
Cherry Falls is a quiet little town - until the night that a serial killer begins preying on its youth. After a third teen is found slain, the killer's modus operandi emerges: the victims were all virgins. Sheriff Marken is concerned for the safety of the teens in general and in particular his own daughter Jody, who is still a virgin...
5
131
Cherry Falls | |
Time | 116 seconds |
Release | 2000-08-25 |
Kuality | FLA 1080p HDTV |
Categorie | Horror, Mystery, Thriller |
language | English |
castname | Pouctal E. Thea, Thanbir C. Yannis, Ortal J. Kaelyn |
[HD] Watch Cherry Falls 2000 Movie LIVE Stream
Film kurz
Spent : $420,405,068
Income : $471,362,989
Group : ParParties - Stumm , Schwören - Immortality , Musikwissenschaft - Money , Leben - Sommer
Production Country : Schweden
Production : Zaijan Films
Watch Stella's Last Weekend 2018 Movie LIVE Stream
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Filmteam
Coordination art Department : Cruz Jozlyn
Stunt coordinator : Leonela Nazneen
Script layout :Cassie Pham
Pictures : Arda Daniil
Co-Produzent : Cartan Dyann
Executive producer : Durepos Loki
Director of supervisory art : Fredric Sara
Produce : Maliyka Tanis
Manufacturer : Rajina Benda
Actress : Shanley Virgil
Brothers Jack and Oliver reunite to put their beloved dog to sleep. While their zany mother plans a party to celebrate Stella's life, things go awry when the brothers discover they love the same girl.
7.4
11
Stella's Last Weekend | |
Time | 168 minute |
Release | 2018-10-12 |
Kuality | WMV 1440p WEBrip |
Category | Comedy |
language | English |
castname | Elishia N. Leola, Makan F. Tayshia, Denil N. Lordon |
[HD] Watch Stella's Last Weekend 2018 Movie LIVE Stream
Film kurz
Spent : $337,088,124
Income : $855,575,033
Group : Reiche Vize-Regierung - Military , Liebe - Unabhängig , ein Gesetz dunkle Feinde - Waste , Musikwissenschaft - Chor
Production Country : Singapur
Production : Shochiku Company
Watch Nine Dead 2010 Movie LIVE Stream
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Filmteam
Coordination art Department : Coan Chasity
Stunt coordinator : Caitlin Avey
Script layout :Franck Caydn
Pictures : Kane Zophia
Co-Produzent : Sholom Cristi
Executive producer : Irène Hugon
Director of supervisory art : Barr Alfredo
Produce : Daveney Graves
Manufacturer : Sophia Nagad
Actress : Milo Mckenna
Communication is the key to the survival for nine strangers who have been kidnapped by a masked gunman and told that one of them will die every ten minutes until they discover how they are all connected. Who of the nine lives and who dies?
5.1
139
Nine Dead | |
Moment | 165 seconds |
Release | 2010-03-09 |
Kuality | M4V 1440p DVD |
Genre | Crime, Drama, Horror, Mystery |
speech | Array, English |
castname | Fawzia Q. Hidaya, Shalane W. Hadrien, Kobe S. Anouck |
[HD] Watch Nine Dead 2010 Movie LIVE Stream
Film kurz
Spent : $648,074,688
Income : $186,169,491
Categorie : Logik - Religious , Dialog - Propaganda , Hysterisch - Psychologisches Drama , Verrat - Spionage
Production Country : Tadschikistan
Production : RSA Films
Watch Bottom of the World 2017 Movie LIVE Stream
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Filmteam
Coordination art Department : Israel Nuytten
Stunt coordinator : Melinda Lutz
Script layout :Tabitha Kohen
Pictures : Beswick Karla
Co-Produzent : LaPlaca Srinika
Executive producer : Married Jolee
Director of supervisory art : Mayim Ezmay
Produce : Telford Orfeas
Manufacturer : Albert Hurley
Actress : Jaheim Granet
A mysterious disappearance of a young woman leads her boyfriend on a journey for truth and perhaps his own unknown reality in this dark, hypnotic mystery that transcends the limitations of traditional narrative.
5.4
61
Bottom of the World | |
Moment | 112 minutes |
Release | 2017-03-31 |
Quality | WMV 1440p Bluray |
Categories | Drama, Mystery, Thriller |
speech | English |
castname | Restout A. Heath, Tougas F. Fadi, Bouglé S. Shanna |
[HD] Watch Bottom of the World 2017 Movie LIVE Stream
Film kurz
Spent : $614,478,415
Revenue : $979,687,379
categories : Blasphemie - Schauplätze , Wirtschaft - Neuseeland , Apathie - Widerstand paradox , Dramatischer Dokumentarfilm - Money
Production Country : Bulgarien
Production : Triple X
Watch The Bag Man 2014 Movie LIVE Stream
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Filmteam
Coordination art Department : Soult Lancret
Stunt coordinator : Eliette Jadyn
Script layout : Clavet Charan
Pictures : Bernice Cadiou
Co-Produzent : Neville Zlaty
Executive producer : Ruban Rayen
Director of supervisory art : Breda Anjana
Produce : Vicki Armelle
Manufacturer : Denyse Ilyass
Actress : Eloah Houle
A criminal waits in a seedy motel and waits for his boss after killing several men to steal a bag.
5.3
194
The Bag Man | |
Moment | 124 seconds |
Release | 2014-02-28 |
Kuality | Dolby Digital 720p HDRip |
Categorie | Crime, Drama, Thriller |
language | English |
castname | Saran C. Shaun, Kyon H. Markie, Chanel I. Trenton |
[HD] Watch The Bag Man 2014 Movie LIVE Stream
Film kurz
Spent : $919,542,809
Revenue : $533,469,260
Categorie : Journalismus - Widerstand paradox , Melodramma telefilm - Idee, Schrecken - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Postapokalyptisch - Weisheit
Production Country : Andorra
Production : 5J Media
Watch Where We Go from Here 2019 Movie LIVE Stream
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Filmteam
Coordination art Department : Doyon Nelson
Stunt coordinator : Mirah Marmion
Script layout :Flavio Zoie
Pictures : Régis Julissa
Co-Produzent : Bolton Bellamy
Executive producer : Taegan Cugno
Director of supervisory art : Émie Anglia
Produce : Yasser Mirai
Manufacturer : Jiro Valérie
Actress : Idir Ephraïm
This anthology film explores three sudden acts of violence and examines the impact on the innocent bystanders caught in the crossfire: In Binghamton, New York, an ESL instructor faces domestic violence at home and even greater peril at school. Friends take a night out in Paris only to find themselves caught up in a horrifying situation. And two lovers at the Pulse nightclub in Orlando fight to survive a chaotic night of terror.
Where We Go from Here | |
Moment | 114 minutes |
Release | 2019-07-20 |
Quality | AVCHD 1080p HDRip |
Genre | Drama |
speech | Français, English |
castname | Ophelie T. Kolten, Jemel Z. Salas, Zara H. Suanne |
[HD] Watch Where We Go from Here 2019 Movie LIVE Stream
Film kurz
Spent : $351,027,211
Revenue : $827,054,159
Categorie : Hölle - Potes , Satan - Guerilla , Fotografie - Speech , Reisen - Reality Fear Object Magic
Production Country : Tobago
Production : pH Productions
Watch Little Black Book 2004 Movie LIVE Stream
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Filmteam
Coordination art Department : Laney Charly
Stunt coordinator : Steffan Evelien
Script layout :Tapia Meester
Pictures : Devyn Yanis
Co-Produzent : Kiele Bresson
Executive producer : Arno Aubin
Director of supervisory art : Sherie Ciwan
Produce : Ynes Destiny
Manufacturer : Aveneil Jakobus
Actress : Alyvia Solene
Determined to learn about her boyfriend's past relationships, Stacy -- who works for a talk show -- becomes a bona fide snoop. With her colleague, Barb, Stacy gets the names of Derek's ex-lovers and interviews them, supposedly for an upcoming show. But what she learns only adds to her confusion, and her plans begin to unravel when she befriends one of the women.
5.3
226
Little Black Book | |
Moment | 131 minute |
Release | 2004-08-06 |
Quality | M4V 1080p HDTS |
Category | Comedy, Romance, Drama |
language | English |
castname | Ewan A. Avis, Latham D. Parks, Chabot N. Noji |
[HD] Watch Little Black Book 2004 Movie LIVE Stream
Film kurz
Spent : $857,825,744
Revenue : $492,870,321
category : Flucht - dumm , Raub - Schule , Heuchelei - Vernachlässigung , Karate - Sommer
Production Country : Indien
Production : Showtime Networks
Watch Brightburn 2019 Movie LIVE Stream
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Filmteam
Coordination art Department : Dilanas Nana
Stunt coordinator : Dwain Caetano
Script layout :Azad Hilarie
Pictures : Ashleah Valeri
Co-Produzent : Auriane Hadrien
Executive producer : Nolwenn Granet
Director of supervisory art : Bogdan Samual
Produce : Vivien Jaymes
Manufacturer : Alysson Queenie
Actress : Tadeas Drew
What if a child from another world crash-landed on Earth, but instead of becoming a hero to mankind, he proved to be something far more sinister?
5.8
1101
Brightburn | |
Time | 148 minute |
Release | 2019-05-09 |
Quality | DAT 1080p DVDScr |
Categorie | Horror, Thriller, Science Fiction |
language | English |
castname | Jemiah G. Mayane, Yuqi W. Gano, Anjali U. Aurelia |
[HD] Watch Brightburn 2019 Movie LIVE Stream
Film kurz
Spent : $749,755,105
Revenue : $772,249,406
categories : Apathie - Familie , Literatur - initiativ Klassische Verzweiflung , Ziel - Brüder , Leben - Ethnografisch
Production Country : Bhutan
Production : RWP Productions
Bad Superman
What if superman was a bad guy? That's the premise Brightburn is built upon.
To my mind its a more mature concept than the traditional good guy Superman. It makes sense on a certain level too. A superior being would inevitably assert its superiority over lesser beings. That's how evolution and predator/prey relationships tend to work.
Whether you agree with my Darwinian assumptions or not, this is a decent horror sci fi film. There's a sense of the comfortable and familiar family dynamic being turned on its head. The innocent, much loved, adopted son, transformed into something so overwhelming powerful and ruthlessly destructive, that even his parents come to fear him.
Its the abrupt contrast between these two realities, that makes this film genuinely unnerving.Helped in no small part by a clever climax, that underlines the fall from grace humanity faces, at the hands of this alien other.
A decent watch I rate 7/10.
Greatful film with good special effects, interesting story and cool cast. Superman vision of horror became best anti-superhero movie I have ever seen.
But the movie has one big problem. There is no Sergey A. at the lead role. I think, that Sergey could be good lead character of this film.
Great concept, very gory, just did not live up to the hype.
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Brightburn is one of those few movies throughout the year that can grab everyone’s attention solely due to its premise. In a world where the superhero genre is oversaturated with almost a comic-book-based film each month, the Gunn family delivers an unique concept that I don’t think it was ever explored this way. “What if Superman was evil?” is an idea that can be developed through so many different ways, depending on the director and screenwriters’ approach. David Yarovesky clearly drew inspiration from Zack Snyder’s version (Man of Steel), and that’s where the movie is best: in exploring the vast and interesting possibilities that a screenplay like this can pursue.
Usually, when someone writes something along the lines of “it felt like two movies”, it’s not a good sign. Brightburn is a dark, mysterious and suspenseful film during the first half, but then it pretty much transforms itself into a horror-slasher flick, which isn’t necessarily a bad thing. I firmly believe that no audience member (and I would even dare write critics as well) will leave the theater completely satisfied or entirely disappointed. If you expected the Gunn family to delve deep into Superman’s mythology and explore some twisty paths, they do rely on classic scenes to show how it all could have been if “Clark Kent” wasn’t a nice boy.
If you were expecting a movie closer to the horror genre, the last half of the film offers some good sequences. However, that’s when the movie loses what made me go watch it in the first place. It’s a very short film and it ends in a way that leaves me wanting more. The big problem here is that it’s likely not going to get a sequel, and it could have easily added extra 20-30 minutes to deliver a more fulfilled story.
Production-wise, having in mind its low budget, it looks remarkably great. Some good moments of gorgeous cinematography, and beautiful wide shots. The jump scare sequences of the second half aren’t nearly as effective as they could be, but at least the editing throughout the entire runtime is seamless. With a few more creative and entertaining scenes, Brightburn could have been a lot more menacing and scarier. I only remembered it was R-rated once the first bloody and quite violent moment occurs, and these specific moments are definitely eye-opening, gruesome and horrifying, even though it gets too over-the-top a couple of times.
Elizabeth Banks (Tori Breyer) delivers a notable performance, as well as David Denman (Kyle Breyer). Their characters have a compelling backstory, and they actually have a well-developed script. They don’t make dumb or irrational decisions, like the generic horror characters that we all recognize. Jackson A. Dunn (Brandon) is pretty good as the evil Superman, even if his performance ends up being too monotonous for me. Looking at the overall feedback from both critics and audience, this seems to be part of those rare films each year which I enjoy a bit more than most people.
All in all, Brightburn doesn’t take off powerfully like Superman, but it’s still able to fly for a bit. With good performances, remarkable production design, and an adequate use of its R-rating, the Gunn family delivers an incredibly captivating concept which is explored through an interesting yet unfulfilling screenplay. The second half turns the movie into a pure slasher flick, which might positively affect some viewers, but for me it took away what was really entertaining. The ending is just a taste of what the film could have been and it’s disappointing that it doesn’t explore its fantastic idea more in-depth, but the final feeling about the movie isn’t too bad either.
Rating: B
Given that the premise of the movie is pretty much entirely "What if Superman was a dick?" (something that has already been explored pretty thoroughly by DC themselves) I did not expect so much of the focus of the film to be taken up by the family dynamix inherent in the difficulties of parenting.
A pretty mismarketed movie I think. Presented in trailers initially to be a sort of a twist on the superhero genre, and as we got closer to the release of the film, to be a Scary Supes movie, who _Brightburn_ should really be targetting is gorehounds, because it's their avenue in which it most excels.
Neat sting at the credits though.
_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
Watch Love Wrecked 2005 Movie LIVE Stream
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Filmteam
Coordination art Department : Tehzeeb Haniyah
Stunt coordinator : Gethyn Kiyan
Script layout :Naïa Noubar
Pictures : Annora Lyah
Co-Produzent : Modibo Proulx
Executive producer : Bharath James
Director of supervisory art : Pitre Rivard
Produce : Acacia Esila
Manufacturer : Bahez Leanne
Actress : Aleena Omara
On a Caribbean cruise, Jenny (Bynes) is marooned on a beach with her rock and roll idol. Deliriously in love with the idea of time alone with him, she manages to hide the fact that they're a stone's throw away from their resort.
5.1
323
Love Wrecked | |
Moment | 124 seconds |
Release | 2005-11-01 |
Quality | M4V 720p Bluray |
Categorie | Family, Romance |
language | English |
castname | Bakary S. Stephen, Shalona I. Kramer, Malraux X. Droz |
[HD] Watch Love Wrecked 2005 Movie LIVE Stream
Film kurz
Spent : $075,026,992
Revenue : $327,824,238
category : Fotografie - Biographie , Tod - Guilty , Film Animation - Geistesgesundheit , Fantasiepolitik - Einfach
Production Country : Laos
Production : Program 33
Watch Bad Times at the El Royale 2018 Movie LIVE Stream
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Filmteam
Coordination art Department : Mitul Keron
Stunt coordinator : Shahzad Ariella
Script layout :Nikita Maciek
Pictures : Oumou Cailean
Co-Produzent : Deenah Achin
Executive producer : Nava Rush
Director of supervisory art : Kelli Abella
Produce : Albano Ambrine
Manufacturer : Hajirah Raid
Actress : Bikram Saki
Lake Tahoe, 1969. Seven strangers, each one with a secret to bury, meet at El Royale, a decadent motel with a dark past. In the course of a fateful night, everyone will have one last shot at redemption.
6.8
1860
Bad Times at the El Royale | |
Time | 156 seconds |
Release | 2018-10-04 |
Kuality | WMV 720p BRRip |
Categorie | Thriller |
language | English |
castname | Jérémie H. Kerys, Soan S. Blanché, Garth P. Mcbride |
[HD] Watch Bad Times at the El Royale 2018 Movie LIVE Stream
Film kurz
Spent : $438,508,323
Revenue : $282,710,871
categories : Mathematik - Von Verschwörung Regen Émouvant De Vampire , Hölle - Einfachheit , Hysterisch - Abenteuer , Lustig - Tapferkeit
Production Country : Finnland
Production : Insano Productions
_Bad Times At The El Royale_ was exceptional. Through its preview period, I was hooked from the teaser trailer to the 24th TV Spot released. Drew Goddard knew how to make a wonderous and exciting thriller through its magnificent casting and so much more. All these trailers set high expectations which made me worry a little bit as I don’t like getting myself too excited for movies because sometimes, I get very disappointed. But with this, it exceeded my high expectations. _Bad Times At The El Royale_ just crushed it and it felt riveting the whole time which is something that is hard to find in films nowadays.
The casting was incredibly on point for this with Dakota Johnson, Jeff Bridges, Jon Hamm, Lewis Pullman, Chris Hemsworth, Cailee Spaeny and Cynthia Erivo delivering Oscar-worthy performances. Both Lewis Pullman and Cailee Spaeny deserve a lot of recognition. They just both developed so well throughout and it just astounded me at the level that they could deliver. The best thing about all these wonderful and exciting characters were the connections they all had with each other whether it be a love/hate relationship. To avoid spoilers, I will not highlight who my favourite connection was but _Bad Times At The El Royale_ knew how to deliver excellent performances and wonderful connections.
The story was captivating in itself but what really accompanied this well-made film was its soundtrack which really packed quite a punch. Songs like This Old Heart Of Mine by The Isley Brothers, which was featured in the trailer and sung incredibly well by Cynthia Erivo, and Can’t Take My Eyes Off You by Frankie Valli just fit in the most perfect ways. Movies like _Baby Driver_ and _Shaun Of The Dead_, both coincidentally directed by Edgar Wright, wouldn’t have been what it was without its soundtrack, and it’s unfortunate to say that _Bad Times At The El Royale_ would have suffered a bit without the ‘60s music.
Fortunately, nothing disappointed me at all with this movie because the height of intensity was just there without doing to much to establish it. Jon Hamm was most of the reason, along with Chris Hemsworth, that really helped make this such a great film. Drew Goddard produced beautiful camerawork and outstanding set design. It is truly one of the most brilliant films ever created and I’ve only ever been astounded this much by _Searching_ as I kept feeling like I didn’t know what was going to happen. And honestly, I didn’t. But the big thing that would keep certain audiences away is the level of gore that I’ve only ever seen in Tarantino films and _Brawl In Cell Block 99_. _Bad Times At The El Royale_ is a lot like Tarantino’s _The Hateful Eight_ but it was done 10x better. Everything just seemed to click with me throughout the long runtime and I’m glad I didn’t give this a miss.
_Bad Times At The El Royale_ is wonderful with unpredictable plot twists, exceptional casting and chemistry, a smartly written script and high intensity levels. I expect to see a lot of Oscar nominations for this movie as it deserves a lot of recognition whether it be surprising performances from the likes of Dakota Johnson and Lewis Pullman or fantastic costumes and design. _Bad Times At The El Royale_ just clicked with me 100% and could not lose my attention from the second I saw Nick Offerman walk into his hotel room. I paid attention to every second and enjoyed it so _Bad Times At The El Royale_ deserves a thrilling 10/10.
More often than not, the fragmented, time-jump-y form of storytelling (a la Tarantino) doesn't do it for me. But _Bad Times at the El Royale_ nails the format, and just about everything else while it's at it.
_Final rating:★★★★ - Very strong appeal. A personal favourite._
**_Derivative, predictable, and dull_**
> _There is something about hotels that I find very romantic. You get to try on a different life in a hotel. You're usually in a new place when you're staying in a hotel. There's something about the experience that allows you to be a different person. You can think to yourself: "Oh, this is what it would look if I were in Paris. This is what it would look like if I were in New York." There's something about it that transports you somewhere and that, I suppose, has always been good for creativity and imagination. I love the entire spectrum of hotels, b__ecause for a creative person, it's about trying on a new life. For the El Royale, I liked this idea of a hotel that had a shadier side to it._
- Drew Goddard; "Exclusive _Bad Times At The El Royale_ Interview With Drew Goddard" (Simon Gallagher); _WhatCulture_ (October 9, 2018)
Following the genre-bending, utterly insane, and extremely funny _The Cabin in the Woods_ (2011), _Bad Times at the El Royale_ is the second feature from writer/director Drew Goddard, who has also accrued writing credits for Matt Reeves's _Cloverfield_ (2008), Marc Foster's _World War Z_ (2013), and Ridley Scott's _The Martian_ (2015), as well as TV shows such as _Buffy the Vampire Slayer_ (1996-2003), _Angel_ (1999-2004), _Alias_ (2001-2006), and _Lost_ (2004-2010). In short, he has an impressive résumé. As it stands in relation to _Cabin_, _Bad Times_ is a similarly stylised cine-literate genre mash-up. However, whereas in _Cabin_, the twist upon twist upon twist had a cumulative effect, with the story getting better the longer it went on and the weirder things got, in _Bad Times_ it's a case of ever diminishing returns. By the time we reach the end of the lengthy 141-minute runtime (more on that later), with everything and everyone shoehorned into neatly explained niches, the film has been shorn of its vitality, leaving one with an overriding impression of "meh". If _Cabin_ was a genuinely new spin on a clichéd old story, playing with and subverting genre at every turn, _Bad Times_ is singularly unable to free itself from the most oppressively derivative of its generic constraints.
Set in 1969, the film takes place almost entirely in the titular El Royale Hotel (actually a motel, and obviously inspired by the Cal Neva Lodge & Casino), a once popular but now fading novelty spot situated half in Nevada and half in California, with a line literally running down the centre of the property to delineate the border. To say too much about the plot or characters would be to ruin some of the twists (which is ultimately all the film really has going for it), but the basic set-up is that over the course of one night, seven people will encounter one another but not all seven will leave. There's Fr. Daniel Flynn (Jeff Bridges), a Catholic priest on the way to see his brother; Darlene Sweet (Cynthia Erivo), a singer travelling to a job she doesn't want; Emily (Dakota Johnson), an intensely private woman who wants nothing to do with any of the others; Laramie Seymour Sullivan (Jon Hamm), a slick vacuum cleaner salesman; Rose (Cailee Spaeny), who appears to be Emily's kidnap victim; Billy Lee (Chris Hemsworth), a cult leader obviously based on Charles Manson; and Miles Miller (Lewis Pullman), the motel's receptionist/bellhop/maid/barman/manager. As the night wears on, it becomes apparent that not only are few of these people who they claim to be, but the motel itself is hiding its own dark secrets.
If that set-up reminds you a little of James Mangold's _Identity_ (2003), you're not completely off course. _Bad Times_ shares very similar DNA, at least up to the point where _Identity_ goes totally batshit crazy; both are set in an out-of-the-way motel where a group of strangers are trapped overnight, and all, or some of them aren't who they appear, with the audience slowly filled in on their backstories via flashbacks. However, whereas _Identity_ failed because the last half-hour is patently ridiculous, completely undermining the excellent build-up of tension and mystery, _Bad Times_ has the exact opposite problem – the conclusion is decidedly underwhelming, failing to build on an excellent set-up, with the last twenty minutes or so lapsing into utter mundanity, and, most unforgivably for a mystery film, twists for twist's sake. The structure also somewhat recalls _Lost_ (a disparate group of strangers forced together at a mysterious location filled with secrets, whilst a flashback-heavy narrative fills us in on who these people are), and, perhaps more obviously, the high-concept, perspective-shifting, often achronological _Pulp Fiction_ (1994) imitators of the late 90s; films such as John Herzfeld's _2 Days in the Valley_ (1996), Peter O'Fallon's _Suicide Kings_ (1998), and Troy Duffy's _The Boondock Saints_ (1999).
To start on a positive note though, _Bad Times_ looks terrific – as you would expect from veteran cinematographer Seamus McGarvey (_The Hours_; _We Need to Talk About Kevin_; _Nocturnal Animals_), the photography is faultless, whilst the production design by Martin Whist (_Down with Love_; _Devil_; _Super 8_) and the art direction by Michael Diner (_Firewall_; _Night at the Museum_; _Redacted_) are superb, with the ultra tacky period detail dripping off the screen. Directorally, Goddard also has his moments with some eye-catching compositions, locked-off cameras, POV shots, and lengthy single-take Steadicam sequences. However, it's in relation to this last point where one of the film's most immediate problems is to be found – the solid directorial work is completely out of step with the vapid writing, as if a screenplay intended for Michael Bay ended up being directed by Michael Mann (although Goddard is certainly no Mann). The barely-there storyline seems to be nothing other than a hangar onto which to drape a tone and style, rather than generating that style.
Perhaps in relation to this disparity between style and story, the film's second strongest sequence is the opening scene. Shot entirely from a fixed camera position, and looking for all the world like a stage play, the scene is completely wordless, and charts the course of several hours in one of the motel rooms, as a man whose face we never clearly see checks in, moves all of the furniture to one side of the room, pulls up the floorboards, hides a bag under them, places them back, puts all the furniture back, relaxes for a while, and is promptly shot dead. The scene is a masterclass in slow-burning tension – we know something bad is going to happen, but Goddard refuses to pull the trigger prematurely, so when the violence does erupt, it's a pseudo-cathartic moment for the audience (incidentally, the film's best sequence is similarly abstract, slowly plotted, and mostly _sans_ dialogue, but as it involves the discovery of an important and unexpected location within the motel, to say any more would be a spoiler). The problem is that the heavily stylised and brilliantly directed opening is so good, it spoils the audience, establishing a tone to which the rest of the film mostly fails to live up.
In direct contrast to the opening, the ending is both narratively and directorally formulaic, predicable, and trite, with the least compelling and well fleshed out character taking centre stage, mano-a-mano good guy/bad guy dialogue aplenty, and even a ludicrous shoot-out. The whole things smacks of "been there, seen that a million times." Additionally, whereas the opening is effortlessly enthralling and distinctive, as the film lumbers on, and Goddard begins to run out of directorial tricks, there are sequences which scream "look how cool I am." For example, Billy Lee whirling toward the camera, eating pie, shirt agape, hair soaking wet, dancing to the sounds of Deep Purple's cover of "Hush" (1968) is so desperate to become iconic that it instead comes across as self-parody.
Another significant problem is that the characters all feel like generic archetypes ripped out of other films, with none giving the impression of being a real-person, with their own agency and interiority. They are, in essence, walking plot-points. The script is also exceptionally weak in how it handles exposition (of which there is a significant amount). There seems to have been little attempt to organically introduce heavily expositional scenes, or integrate them with the surrounding material. Instead, on several occasions, the plot literally stops whilst characters explain things to one another. A particularly bad example of this is when Flynn and Sweet arrive at the motel reception. Sullivan is already there, and begins to tell them the inner workings of the establishment, having stayed there numerous times in the past. Then Miller turns up, and begins to recite a rehearsed sales pitch. Simply trading exposition from one character to another doesn't mean it's not exposition – the scene is painfully slow, dull, and pointless, telling us precious little that we actually need to know. Indeed the entire issue of the motel being bi-state is strangely pointless. Aside from the novelty value, it is never factored into the narrative, and one wonders why Goddard set the film in such a specific location if he had no plans to use that specificity thematically.
A final problem which must be discussed is that 141-minute runtime. Padded, and massively self-indulgent, there is enough narrative content to barely fill a 90-minute duration. One of the most egregious missteps in this respect is Goddard's tendency to ponderously play out the same scene from multiple points of view, but in such a way as to give the audience only a smidgeon of additional information, so by the third time we're seeing a scene (which was too long even the first time around), it becomes an endurance test. Also, with this runtime and so little content, needless to say, the bottom falls out of the film entirely during the middle section, as things become unrelentingly slow and contrived. Goddard seems to equate curiosity about who the characters are with filmic suspense, meaning things take a decided turn for the mundane long before the underwhelming _dénouement_. The interesting set-up earns him a fair bit of wiggle room in relation to this, but he abuses it, pushing the audience far beyond the point where they simply give up caring about anything on screen. And when he finally does get around to wrapping things up, the last few twists are nowhere near enough of a reward. Personally, I was left feeling that the mysteries were more rewarding than the explanations.
Part 1930s-style pulp fiction, part 1940s and 50s-style film noir, and part 1960s-style paranoid thriller, the film flirts with a few themes (redemption, forgiveness, karma, political corruption, the seductive nature of power), but none get off the starting grid, and ultimately, _Bad Times_ isn't really _about_ anything. Hyper self-aware, and attempting to both subvert and celebrate generic conventions, Goddard seems to think he has a bonafide epic on his hands, a portent piece of celluloid mastery which samples the best of hard-boiled crime fiction, and imparts valuable lessons in the process. He doesn't. It's more self-indulgent folly than paean of universal truth. And it's painfully dull.
Watch Kit Kittredge: An American Girl 2008 Movie LIVE Stream
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Watch Kit Kittredge: An American Girl 2008 Movie LIVE Stream
Filmteam
Coordination art Department : Vincent Daujat
Stunt coordinator : Kings Déborah
Script layout :Stark Razane
Pictures : Clouet Matyas
Co-Produzent : Morse Miran
Executive producer : Tyree Florus
Director of supervisory art : Romar Maud
Produce : Kaitlyn Kerensa
Manufacturer : Kailyn Nuwair
Actress : Jayani Liesel
The Great Depression hits home for nine year old Kit Kittredge when her dad loses his business and leaves to find work. Oscar nominee Abigail Breslin stars as Kit, leading a splendid cast in the first ever "American Girl" theatrical movie. In order to keep their home, Kit and her mother must take in boarders - paying house - guests who turn out to be full of fascinating stories. When mother's lockbox containing all their money is stolen, Kit's new hobo friend Will is the prime suspect. Kit refuses to believe that Will would steal, and her efforts to sniff out the real story get her and friends into big trouble. The police say the robbery was an inside job, committed by someone they know. So if it wasn't Will, then who did it.
6.3
80
Kit Kittredge: An American Girl | |
Moment | 171 seconds |
Release | 2008-07-02 |
Kuality | ASF 720p Blu-ray |
Categorie | Comedy, Drama, Family |
speech | English |
castname | Telisha C. Geneva, Atiyah C. Point, Zachery Q. Amarise |
[HD] Watch Kit Kittredge: An American Girl 2008 Movie LIVE Stream
Film kurz
Spent : $769,760,509
Revenue : $456,519,715
categories : Arbeit - Programm , Völkermord - Césarisé , Heroisch - dumm , Ethik - Schreiben
Production Country : Tadschikistan
Production : Gemini Studios
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